shure ksm9 vs neumann kms 105

Blue Room technical forum: Neumann KMS104 or Shure KSM9? I have used all the E9xx capsules, and most of the Shure SM and Beta capsules. Shure KSM9. Shure KSM9. I love the KMS105, but it can be havoc on a small stage with wedges. I'd like to throw that in the mix too. ... is rated at 22dBA which is a little bit on the high side compared to other handheld condensers such as the Rode S1 and Neumann KMS 104 which both check in at 18dBA. Handheld microphones come in a variety of shapes, sizes, and price points, but there are a few that rise above the competition. It's all in the whole chain! These mics include Shure SM57 and the new TC Helicon 75 (which I bought to use with my voice live foot pedal). Comparison of Shure KSM9 and Shure KSM9HS based on specifications, reviews and ratings. I have tested this mic with everything out there but I've spent a lot of time and effort comparing it to the KMS 105 and KSM9 over the last eighteen months and it has consistently come out on top. It really is a studio mic for a live setting. I guess I wanted a little more evidence that the ksm9 and the 105 will get the job done from people with experience. When you buy products through links across our site, we may earn an affiliate commission. Shure KSM9HS. Reviews . Excellent mic. I wanted to give him my OM7 but he was convinced (probably just name recognition and pure expense). I just picked up a kms 105 and am very impressed with it. Shure KSM9. Today I review the Neumann KMS105, one of the best live stage microphones you can buy. Categories; Brands; Versus; EN. In my experience, the 105 is a great mic. Microphone Shootout, Microphone Comparison, Premium Condenser, Stage Vocal Microphone, AKG C7, Neumann KMS 105, Shure KSM 9, Sire Monster 7 Red ... Neumann KMS 105. Guest. The sound I heard was symbols and guitar, there might have been some vocals in there somewhere. Shure KSM8. These mics are all similar in quality, the small differences make each the right mic for a particular singer. It is smooth and full sounding compared to the beta87a and much more forgiving and feedback resistant on loud stages than the Kms105. I also like the AE5400 a lot. Shure Beta 57 works amazingly well on a Baritone voice. You are already looking at the right range of vocal microphones if you are looking for highest quality on your vocal: I would also add the Sennheiser E965 to that list. If you mean that one, yeah, I'd like to try that as well. Especially on the ballads, and Eagles tunes! Cool! Works great as a mono drum kit mic for small jazz ensembles as well. I like the response of this mic and it made the night so much more enjoyable. Most stage microphones make use of dynamic capsules, as they don’t require a power source and can thus be used almost anywhere. View deals. It works famously on snare and I love them on reeds too, especially when the musicians adjust their mic stands for solos and such. Yeah, I love these mics on saxophones, especially when they are on goosenecks that the performers move around a lot for solos. I like the KMS105, but its good sensitivity can be a problem in this situation. I would say that these mics are evenly matched in caliber, with a few variations. I used a KMS 105 recently and I was blown away! I agree the 105 isn't very rock and roll. Neumann, Shure / By admin. To my ear they sound better on instruments than a KM184. Honestly, that makes me want one, but I really need to have a shoot-out between the two of them. Now on SALE. Shure KSM9 vs Neumann KMS105. Sep 26, 2007 #1 I need a vocal microphone for multitrack recordings of liveband's. I'd keep it simple and just take your vocal condenser and your DPA.. If so, how do they compare? Carrying mics is a good thing because you never know what you're going to get, but plugging in a Grace preamp to a pair of SX100's seems a little overkill to me (again, just assuming here). Switchable between cardiod and hypercariod. Let's get this straight: the Neumann KMS 105 sounds even better! Sure, a nice preamp would be cool to have, but I don't think it's going to be a huge improvement of the sound. The 104 is cardioid and the 105 is hypercard. Well, it ain't a studio sample... but here's our worship leader on a KMS105 in a board mix recorded at a Sunday service in November. It sounds great, don't get me wrong but unless you are using in ears and have a controlled stage volume I think the Shure … Shure KSM-9 or Neumann KMS 105? Just wondering, have you considered the Shure Beta 87A or Beta 87c? These mics include Shure SM57 and the new TC Helicon 75 (which I bought to use with my voice live foot pedal). In their price range I'd much prefer a sennheiser or beyerdynamic dynamic mic. But for the majority of vocalists like myself who posses better than average vocal skills and perform on loud stages with house PA's of different quality from gig to gig, the Shure is an execellent vocal mic. 1.93 in. Sennheiser e 945. This particular mic, in my opinion, is truly outstanding on stage. For those comparing the ksm9 to the kms105, I have owned both and the shure is much more suited to my voice and stage demands. But for acoustic and some R&B-type acts, it works very well (for me). I'd never been a big fan of AT mics in general but this was the answer for his voice. When you're not using the 105 on voice...try it on snare. Hello all, regular lurker on the GS forums here. Shure did not have such a mic then but they do now. Let's get this straight: the Neumann KMS 105 sounds even better! The Neumann KMS 105 has become an internationally recognized standard in the field of high-quality stage microphones. The peaks are usually down -3dB across the DBX. Shure KSM9. Bottom line: I will use both of these microphones (and quite happily) for different occasions, without being too picky about specific applications, simply because they each have their own color. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. Rode S1 vs. Neumann KMS 105 ... /11/11 7:58 AM What do you think about Rode S1? Try out the audix om7 too, its a great live mic for male voices. I agree: keep the preamps at the console end. Slightly more rock n roll..superb feedback rejection too. It is a very impressive live vocal condenser. It is also very nice for recording the acoustic guitar. I'm working in a big jazz club here in San fran that has a house wired sound system- the speakers are all in the ceiling. The Neumann capsule can be ordered on a Sennheiser transmitter for wireless (Sennheiser owns Neumann). The house sound guy won't necessarily be in a position to take balanced line-level from stage. My search has ended. I used (and still use) the 105 for years on the road, but about a year ago got the Shure (KSM9HS, I believe) as well. An excellent vocal mic that truly gives the Neumann Sound on stage, it excels as a live and studio microphone for speech, acoustic-stringed instruments and brass. There is a reason why Dylan and Streisand preferred the AE5400 at the grammys (2011). 1.93 in. Discussion in 'Recording/Live Sound' started by DGTCrazy, May 18, 2011. I'm testing a KSM9 obtained from ebay- sounds dark and needs tons of gain... maybe 20db more than an akg 535eb - is this what others have experienced? The audix vx10? I need a vocal microphone for multitrack recordings of liveband's. Shure KSM8 vs Shure KSM9. The Neumann KMS 105 is a condenser microphone typically used in a live setting, but also sounds good in the studio. Way better than any dynamic I've used and good feeback rejection on hypercard. Since this is not a serious record effort (mainly a backup CD for the video capture for webcast of the message) it's also run through an AutoCom on the way to the Tascam burner. kms microphones neumann pro audio shure frankwboelens. For those comparing the ksm9 to the kms105, I have owned both and the shure is much more suited to my voice and stage demands. That being said, super-cardioid mics are very similar to hyper-cardioids other than the fact that there's more front pickup and less rear pickup. Vocal Microphone. It's not necessarily as bright as the KSM9, but you won't spend a small fortune and it's an absolutely fantastic sounding microphone. Excellent with acoustic artists. They aren't in the same league as these mics. Very balanced, lots of detail. Re: OT: Vocal mic Neumann KMS104/105 or Shure KSM9 I replaced all our SM58's with Electro Voice ND767a's They are inexpensive (street price in the $80 range), with better freq response than the 58's and much better feedback rejection. I also have been using it to track vocals and it is real nice for that too. Neumann KMS 105 and Shure SM58 Design Moving further, let's see the external of these microphones and starting with Neumann, this one comes in a Velcro pouch that stores the unit and its mounting to handle both threading which is very impressive yet, not surprising for the price point. I own a Neumann kms105 but wonder about the Shure ksm9 as I originally wanted a live condenser mic that resembled my bassists ksm32. Wow, came back to this thread and I'm surprised at the large amount of constructive feedback. It's much better for band touring - excellent rejection, but great tone and response. If I had to choose one i would personally go with the KSM9, especially as you can switch the pattern if you are wanting something more open. Read also: Shure SM7B Vs Rode Procaster. I'm wondering if something is wrong with the mic... YouTube - Bo Bruce - Black Ice (Acoustic), Anthem | Acoustic Pickups and Electronics | LR Baggs. A loud and small stage is not the right application for this tool. I use 105 mics for jazz recordings, on instruments and vocals. In this situation, you're quite lucky in that the 105, 104+ or KSM 9 will all give such a good sound that you can use them in very diverse circumstances and with very diverse styles of music. The BGVs are all on SM86s, and the vocal submaster is run through a DBX 166A comp/limiter. Hence, finding a good microphone for such purpose is … Shure KSM9HS Dual-Diaphragm Condenser Handheld Vocal… › Questions & Answers Can I just say, thanks for pitching back in Icarus. It is smooth and full sounding compared to the beta87a and much more forgiving and feedback resistant on loud stages than the Kms105. I've been using the ksm9 for a while now. Thanks! But... you can hear how it sits in a live mix. The KMS 105's supercardioid pattern and transparent If I mess up, shame on me. The KMS 105 is developed to optimally transmit the human voice making it the first choice for demanding live applications. Also any opinions on comparisons between Beta 87A and KSM9 are welcomed. It would be right to say that the kms 105 and the Rode s1 can both be terrible on the wrong vocalists and good on the right ones. I tried every high end mic out there: KMS105, Audix VX10, Beta 87, Earthworks sr69, e835, sm58 (the KSM9 wasn't out yet), but found the best mic for his voice was an AT AE5400. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern. I've never AB'ed the 104/105 but I would think they would sound the same if you're on axis. Any guys out there heard the new Shure KSM9? (well, not for drunk....). Shure KSM9 vs Neumann KMS 105 When you buy products through links across our site, we may earn an affiliate commission. I feel like I'm screaming myself hoarse everynight just trying to be heard. The 105 is a super card, not hyper card, bit of a difference in polar pattern, off axis rejection and off axis coloration. Shure KSM9 Shop now at Amazon. Major upgrade from the Beta 87a I was using before. Buy both! The eq curve looks like the Shure may cut better but has less lows than the Neumann. Thank you for the responses guys. Subject: trying to decide between a NEUMANN KMS 105 or a SHURE KSM 9 mic. Either would be more than sufficient to get the job done, though I could see the 105 being used as an instrument mic as well. Do any of you guys have experience with the Shure RPW184 replacement cartridge for the KSM9. When you buy products through links across our site, we may earn an affiliate commission. Available colors: User rating ... suggested Shure SM7B Shure SM58 Shure Beta 58A Shure Beta 87A Neumann KMS 105 Sennheiser e 945 Sennheiser e 965 Shure SM7B Shure SM58 Shure … I will have to disagree. Ancient Skies Sample.mp3 (4.67 MB, 28546 views). I was wondering if y'all would help me out with a bit of knowledge. Guys, If you do a shootout of these all great mice, please consider also the Heil PR35. Allen&Heath GL3800, onboard micamps; a bit of rolloff at 80Hz on the channel. Shure KSM9. ... A lot of people seem to like the OMs. quanah1953 #1; 14 years ago . So I ended up ordering both the KSM9 and the KMS105, with the intention of returning one. I'm not excusing bad mic technique; I'm saying that there are different tools for different jobs. However, the KMS 105 is not the best mic for live performance, as it is especially more susceptible to feedback and is poorly suited for a more aggressive environment. I agree. Its hard to find just to sample or A/B August 2, 2006 @06:33pm. Alright. Shure KSM8 Shop now at Amazon. The 104 is cardioid and the 105 is hypercard. I play small rooms with a Martin acoustic plugged in and it is way better than the beta 58a I was using. Just wanted to say I, too, perform live gigs as mostly a solo (occasionally duo) acoustic act, and I love the KMS105. I believe you may win the award for the most condensed amount of sense ever packed into one post. I like it heh. So between the two the KSM9 is probably your best bet. The KMS 105 is designed for close micing in nearly all aspects. My bands have LOUD stage volume but mic still great. Also no information anywhere on the polar patter options of this replacement cartridge. Neumann ships the KMS 105 in a narrow slightly padded nylon case, similar to a small tool case. Wouldn't be my first choice in those situations. I read post claiming it is compatible although Shure does not. Your weakest link is your best sound! We do everything popular, and not so popular from Beatles to now! The KMS 105 is a studio grade vocal microphone for stage use. Thin crew... no time or eyes to watch the record levels... so there's another -3dB or so on the entire mix at that point. An in-depth and practical comparison of the Neumann - KMS 105 vs KMS 104 vs KMS 104 Plus. True gearslut solution... Can't decide? Good luck! As for what you say about them being revealing of vocal ability, I'm not worried about that. The Shure case is, obviously, better protection but a microphone bag is more likely to be the kind of case used for a touring mic. Shure KSM9 Vs Neumann KMS 105 Comparison. Is the SHRPW184 KSM9 replacement cartridge compatible with my current system and does this replacement cartridge offer a selectable polar pattern like the KSM9 Microphone? Now not so much. Thanks Matt. But I think either a Sennheiser e965 vs Neumann KMS 105 or 104 (which apparently has a bit more bass proximity) is a GREAT choice. Purchased the RPW184 for my current setup and it works great! The 5400 has a 1" capsule, rolloff and a pad. Of course, but in your situation do you think grabbing a 105 would have been the answer? It is smooth, while very accurate and clear. For comparison, Neumann KMS 105 capitalizes a bit more on the lows, working its proximity with a little more boost and empathy there. Another which I fell in love with when trying it out in a nearby music store is the EV ND767. ...is the Audio-Technica AE5400 or the very similar Sennheiser e965 (same features and freq response, except e965 is supercardioid as optional). Reputed to be the best hand-held mic built (per Neumann). I once worked at a church and the music leader had a certain midrange to his voice. It really depends on the PA. So the preamp on-stage might be over-complicating things. Very natural and lush-sounding, even when the singer backs off by a foot. Shure KSM9. Its price for a new one here (220 €) is less than a the half of a Neumann KSM 105 (490 €). It has also come to my attention to try the Sennheiser E965. Due to the low inherent noise, crosstalk behavior that is free of colouration and the supercardioid characteristics, KMS-105 is ideal for a solo singer on stage. However, I kept them both. There was no convincing him that it was the wrong mic to use, he loved the "sound" of it. Skykrab, May 19, 2011. I sold my KMS 105 to buy the KSM9, and I like the Shure … Shure SM86. I'd love any reviews from those of you that are familiar with them. Sennheiser e 965. EN PL DE. I have both...2 x KSM9's (new) and one KSM 105 (used, not working now)...when the 105 was working it was similar to the KSM9, but i liked the shure better (thats why i have 2...replaced the neuman). Thanks thumbsup. Effortless almost, and it sounded great! EV and Sennheiser both package their mics in the usual zipper bag. It's a fantastic microphone. I'm glad to hear that it is working well for you. Yeah, I should clarify: I tried the kms104 versus some other mics and it was hands down the best, but I didn't get a chance to A/B it vs the 105 or the ksm9. Samson CL5 has a golden capsule as well. I'm a little late on this thread. Another which I fell in love with when trying it out in a nearby music store is the EV ND767. Most mics are not returnable so I would really like to know the answers before I buy. Ive the Neumann KMS105, and really enjoy it, but Im thinking about trying the KSM9. Re: Shure Beta 87c Vs. KSM9 Keep in mind that 'which mic' is a big mix of personal preference and which fits each voice the best. Rode S1 vs. Neumann KMS 105 Showing 1-33 of 33 messages. Anyone tried both? I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. But I agree with you that, for the most part, the sound quality of the leakage is pretty decent for a handheld mic. They were a punk band, extremely loud stage volume, playing on a stage about the size of a sofa. I even used it to pick up the ambient sound of an electric bass to mix with the direct signal with great results. Its not every time we get to hear how the story ends. You could also get the venerated Neumann KMS 105, about $629, I think. I'm assuming here, but I think the OP is playing small places with less than perfect PA systems. Thank you all! I worked with a band once whose singer had his own 105. The KMS 105 made the night so much easier. The Neumann KMS 105 handheld condenser microphone gives you studio-quality vocals live on stage. I have to agree with Thomas here - small loud stages are best handled with less sensitive dynamics, I think. A microphone for live performances needs to have good sound quality, but at the same time it should be able to avoid capturing environmental noise. Quality of diaphragm components Shure KSM9 has a “low mass” “gold plated” “Mylar” diaphragm,. I'm testing a KSM9 obtained from ebay- sounds dark and needs tons of gain... maybe 20db more than an akg 535eb - is this what others have experienced? I have found the kms 105 to be a fantastic mic for any live usage. One of the guys at church uses Neuman KMS-105 at church for lead vox and I was REALLY gassing for this mic before we started using it. For those with stellar voices performing in controlled environments I would say perhaps the Neumann may be a better choice. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, …

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